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- #RETURN TO THE PLANET OF THE APES FULL MOVIE MOVIE#
- #RETURN TO THE PLANET OF THE APES FULL MOVIE SERIES#
- #RETURN TO THE PLANET OF THE APES FULL MOVIE TV#
But at the time cartoon violence was a big no-no. Humans and apes alike were shot and tortured and strangled and dragged behind horses, electrocuted, hanged and speared. The Apesfilms (and to a lesser degree the live-action series) were extremely violent. It would be his first and last directing job.Įven before the first frame was written or sketched, Wildey ran into a big problem. Doug Wildey, a storyboard artist who also worked on a number of sci-fi fantasy and superhero cartoons like Thundarr the Barbarian, The Incredible Hulk, Jonny Quest, Spider Man and his Amazing Friends, and Godzilla, was brought in to direct.
#RETURN TO THE PLANET OF THE APES FULL MOVIE SERIES#
Coincidentally several of their shows were co-created by Joe Ruby and Ken Spears, who had created Scooby-Doo for Hanna-Barbera and who left DFE in 1974 to be story consultants on the live-action Planet of the Apes series (they soon wisely returned to cartoons, where no one notices if you use the same damn storyline every week).Ī year later DFE was conscripted by 20th Century Fox to take their own swipe at the Apesmythology in Return to the Planet of the Apes, a new Saturday morning entry for NBC. Along with dozens of mostly forgotten Saturday morning cartoons like Here Comes the Grump, they also designed the animated opening sequence for Blake Edwards’ The Pink Panther, and won awards for the trippy Pink Panther cartoon that followed.ĭFE worked with people from Warner, from Hanna-Barbera, from Disney, from all over the place. DePatie to form an independent cartoon production company, DePatie/Freleng Enterprises (DFE), to continue churning out animated shorts, shows, commercials, whatever anyone would pay them to do. In the early ‘60s when Warner Brothers decided to close down its cartoon division, the legendary Friz Freleng, who’d directed so many classic Looney Tunes shorts, teamed up with David H. Speaking of which, why not a breakfast cereal tie in?īut let’s back up here a second, because the show’s pedigree is worth taking into account. Make it flashy and zing-pow, and the kids’ll eat it up. Spaceships, big explosions, crowd scenes, monsters, whatever you like. If someone could draw it you could put it in the show. That was all the budget allowed for live action, but with a cartoon the sky was the limit. People loved the apes, but were tired of seeing them tromp around unused Western sets, brandishing outdated rifles and having fistfights in barns.
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Given the action figures and lunchboxes and games and ColorForms were mostly snatched up by youngsters, Fox returned in 1975 with (what else?) A Saturday morning cartoon. The series lasted a single season before being cancelled, but Fox still wasn’t satisfied. Tune in next week to find out what happens! But the series was accompanied by a flood of merchandise, from model kits to masks to trash cans, and a helluva lot more people bought the merchandise than watched the show, and that’s what mattered. The series was somehow even less exciting than the last movie, amplified further when everyone began noticing the same storyline was repeated every single goddamn week: the astronauts escape from the apes, are chased by the apes, and are recaptured by the apes.
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#RETURN TO THE PLANET OF THE APES FULL MOVIE TV#
So the next year they coaxed Roddy MacDowell back into chimp makeup and cobbled together a weekly TV series about, yes, two astronauts who find themselves on a strange planet ruled by apes and…um, you can guess where it goes from there. There was still too much money to be made off POTA merchandise. The suits at 20th Century Fox, however, had other ideas. With Battle, it was obvious the series was now over once and for all.
#RETURN TO THE PLANET OF THE APES FULL MOVIE MOVIE#
It was a chintzy, dull little movie with a trite happy ending made in a desperate effort to woo back the family audiences who had fled the savagery of the previous year’s Conquest of the Planet of the Apes. The release of Battle for the Planet of the Apes in 1973 made it patently clear the five-installment film series had not only run out of ideas, it had also run out of money.